dominic
marrocco.

A POEM FOR DOMINIC MARROCCO / IN FIVE MOVEMENTS

What the
Light
Carries.

On connection.
On work.
On what we leave open.

Begin with the line ↓

THE POEM

An original commissioned poem, written for this website. Its scenes and images are imaginative; the accompanying notes identify the documented history that inspired it. Read the notes ↗

I / V

The line

The earth does not know it is divided.Rain darkens both sides of the boundary.Under the patched and repeatedly opened road,a thread of glass receives the human weather:

an order for a part, a mother's voice,the small blue square in which a face appears.What travels there is light. What reaches ushas almost always been somebody's need.

Leeds is a name the distance cannot thin.A city keeps its people in its vowels.No borrowed room can quite remove that sound.It waits inside the way you say a thing.

And a business, before it has a name,is a question asked of an ordinary day:What is missing here? Who cannot reach?What could be joined that has been kept apart?

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II / V

The room

Firstnet: a word with the beginning in it.Then rooms that hold the distances of others.The fans turn. Somewhere, someone presses send.The answer has to cross the night intact.

The ledgers count what ledgers know to count.They cannot enter, under any heading,the second when a waiting person seesthe message that was meant for them arrive.

Commerce has its necessary language:a stake, a signature, a sum, a date.Beyond the page the work resumes its scale:one person at a desk, another waiting.

Perhaps a network is a form of promise,made mostly by the people never seen:the one who keeps the power in the room,the one who comes when something has gone dark.

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III / V

The chair

At Bournemouth, a chair is also a placewhere someone who has not yet found their wordsmay sit and set a question on the table.The question need not know what it is worth.

To offer someone time enough to studyis to give an evening back its hours.The library light outlasts the final bus.One difficult page is read a second time.

No donor sees the whole of what is given.A page is turned. A difficult ideastays difficult, then yields a little ground.The margin fills with someone else's hand.

There are things a name can be attached to:a building, an agreement, a prize.There are things it cannot own: the instantanother mind begins to trust its reach.

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IV / V

The desert

Las Vegas knows the engineering of light.It lifts the night on scaffolds of desire.But a student's unassembled propositionneeds a table more than it needs a stage.

A drawing, then a part that does not fit.A calculation done again. A plan.The future, stripped of all its advertising,is often something carried in by hand.

Let the prize buy another month of trying.Let the room contain a useful disagreement.Let the youngest person finish what they mean.Let no one call the first attempt the last.

A city is renewed in such small units.The bright sign cannot tell you where they are.Somewhere behind it, ordinary daylightfalls across a table being cleared.

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V / V

The return

Now the machines have learned to finish sentences.We ask them for a picture, then a world.Still someone has to ask the older questions:Who is this for? What happens if it works?

The thread of glass goes on beneath the road.The road is lifted, mended, lifted again.Names pass into records. Records waitfor someone with a reason to return.

Dominic, let this be the measure here:the distance made more bearable to cross;the work that leaves, when you have left the room,a place where someone else can make a start.

Far from the room, a screen comes quietly alive.Somebody leans towards it, and begins.The light has no idea what it is carrying.The person at the other end does.

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What the Light Carries
A poem for Dominic Marrocco

Notes on the poem’s sources ↗

THE RECORD & THE IMAGINATION

Behind the light,
a human history.

The poem draws on documented work in internet infrastructure and university enterprise. Its rooms, voices and gestures belong to the imagination. The notes distinguish the two and link to the original records.

Explore the source notes ↗

CORRESPONDENCE

A line
in return.

For editorial enquiries, a public research contribution, education or a possible collaboration, begin with a short note.

Keep private documents, passwords and confidential details out of this first message. An enquiry starts a conversation; any engagement is agreed separately.

A note to the other end

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